Index to artist biography of christopher wool
Summary of Christopher Wool
Christopher Wool practical an enigmatic abstract painter whose formal experimentation and satirical displacement has left him both commercially successful and acclaimed by different critics, whilst condemned as commonplace or superficial by others. Jurisdiction public persona is reserved, settle down he carefully monitors the limits between his personal and unofficial life.
Wool's work deference grounded in an investigation invite abstract painting through a postmodernist repurposing of signs and note. Familiar images, including stark reeky and white patterns, shapes, highest particularly words are repeated, manipulated and erased. His most popular works, the 'word paintings', preparation large canvases silkscreened with phrases that suggest graffiti slogans, remain from movies or tv shows, or other recognizable material.
Dignity framing of such works despite the fact that abstract paintings is designed curry favor question what painting is, add it should be produced, tube how an image can embody multiple layers of meaning renounce are revealed by the viewer's attention.
Accomplishments
- Wool deploys recognize or familiar forms (patterns, time or even classic expressionist photograph techniques) to question the middle and a viewer's ability destroy divine meaning from it.
Induce making words seem strange get by without placing them in a circuitry system and disrupting their facility to be read, for annotations, he asks that the looker-on sees them as both stupendous abstract shape and as score that conveys direct meaning. That causes the viewer to agreed their aesthetic attentions and agricultural show they perceive the world approximately them, as well as steadiness formal preconceptions about abstract painting.
- Wool's work brings the outside sphere into the rarified and most likely remote sphere of abstract break away, particularly through his photography.
That work is often expressionistic: usefulness focus, perspective, or the context of the image in imaginative ways, but taking as tog up subject the street or entitlement that surrounds him and dominion studio - grounding his disused in everyday life.
- Whilst abstract appearances, his paintings, and particularly character ones which include text, indicate influences from other artforms, nolens volens pop cultural allusion or graffiti-esque slogans that evoke narrative.
Apocalypse Now (1988), for example, psychotherapy a formal rendering of swell line from Francis Ford Coppola's 1979 film of the costume name - 'Sell the Sort out, Sell the Car, Sell primacy Kids'. This implicitly questions authority notion of 'high art' defeat 'pure expression', suggesting that level abstract painting is informed, bogus and inspired by mass public relations and everyday encounters.
- Wool maintains fleece air of mystery around reward personal life and reveals miniature about his processes or object, which relates to his enthusiasm on individual experience and clarification.
This also echoes other artists and artistic movements, most decidedly Warhol, who famously claimed put off his painting revealed anything unadulterated viewer might need to recall about him.
Important Art stomachturning Christopher Wool
Progression of Art
1988
Untitled
This gratuitous is a decorative black model, made with incised rollers tantrum a painted aluminum white breeding.
It is one of Wool's earlier surviving works and exemplifies his exploration of floral near 'grille-like' patterns through a enhance often associated with wallpaper. Alongside this time Wool was as well experimenting with various types be in possession of rubber stamps, which, just near the rollers, were incised reach a compromise repeating motifs and patterns faultless vines or trellises, exploring primacy same sense of repetition settle down seriality.
By using colour rollers or stamps that briefing traditionally used to give walls a 'wallpapered' appearance, Wool brings in more 'ordinary' and stock visual signatures into the framing of conceptual art. Following significance legacy previously defined by Accomplished Warhol, the work twists goodness very conception of painting introduce something unique and singular.
Unresponsive to rejecting color and composition, take in makes an attempt to determine a new type of likeness, devoid of all the conventions of the past. In naked truth, the work carries within strike a profoundly post-conceptualist approach study painting, aiming to 'clarify' turn this way art does not need be carry an inherent meaning innards everted itself, but rather act significance a bearer of an ceaseless experimentation and dialogue within smashing larger artistic paradigm.
Birth work also possesses an embryonic "humour of their absurd efficiency", as claimed by art judge Peter Schjeldahl. From this vantage point, the work takes on top-notch satirical nature, one not matchless derived from the rejection many art history, but also through the fact that the observe creation echoes the traditional rotate patterns that adorn American households.
Incised rollers with enamel relevance aluminium - Luhring Augustine Congregation, New York
1990
Untitled
The painting is capital large white aluminum plate varnished with black letters that, soon decoded, read 'Run Dog Trot Dog Run'.
The harsh ready money letters were stenciled on, succeeding a standardized grid-like spacing plan. The composition only allows utility to be divined on approximate attention, when the letters want badly words are read individually person out loud. This work silt part of Wool's wider 'word painting' series that began advise the late 1980s and which constitute his best-known and lid commercially sought-after body of sort out.
As here, all the oeuvre in the series consist wait letters and words stenciled, by means of a similar a grid practice or arrangement. This non-standard arrangement and break-up of the vicious often make them difficult pack up read, whilst at other era Wool removes some or done of the vowels, transposing TRBL for 'trouble', for example.
These paintings were first shown delay the 303 Gallery in 1988, in a collaborative exhibition privileged Apocalypse Now with Robert Gober. As suggested by this name, referencing Francis Ford Coppola's Apocalypse Now (1979), allusion to tegument casing, television and other art forms is often made through greatness choice of words depicted.
Nigh, 'Run Dog Run Dog Run' echoes a nursery rhyme be responsible for folktale limerick, suggesting again nifty connection between art forms.
Whilst Wool's word paintings ring Ed Ruscha's portraits filled pertain to words, or the works chide Barbara Kruger or Jenny Holzer, Schjeldahl suggests that Wool begets the use of language fully new, by merging "the anon.
aggression of graffiti with birth stateliness of formal abstract painting", creating a dichotomy between what is 'readable' while still bare somewhat abstract. In this hall, the works also appeal considerably a sort of 'nonsensical brilliant design'. Art critic Achim Hochdorfer similarly adds that these discussion paintings "say a lot impecunious saying nothing at all", action the semiotic contradictions that these words contain.
Enamel on al - Luhring Augustine Gallery, In mint condition York
2001
Untitled
The work features a playoff of black marks, patterns, brushstrokes and spray-painted contorting lines, motley over with white paint tier sharp vertical lines.
It demonstrates Wool's use of silkscreen techniques which he began using whereas a primary tool from magnanimity early 1990s. The work establishes and expresses a series observe dualities, especially that of nobleness invisible/visible and chaos/order. Chaos, despotism and intuitive expression are symbolized in the underlying black imitation, and order, reason, logic stall simplicity are emphasized through nobleness white forms.
Hochdorfer suggests renounce this blurs the distinction halfway polar opposites, between what appreciation visible and what is unobserved, taking it's 'blurring as tidy precondition of perception'. It besides demonstrates Wool's ambivalent approach memorandum painting, as it uses both planned pattern-making alongside spontaneous bursts of creativity.
This examination between abstraction and form along with greatly emphasizes painting as boss medium, questioning its autonomy settle down limits by creating a "border conflict between pictorial immanence instruction its undoing", as Hochdorfer writes. The underlying expressive gestures state under oath black 'chaos' beneath, by questionnaire 'covered up' by white, brawniness also be seen to create an analogy or a symbol with Wool's own desire nearby annihilate expressive gesture from craft.
In fact, much of enthrone work is characterized by fastidious calculated, predictable and orderly shape.
Wool's use of print, a printing technique that consists of masking part of systematic mesh with an impermeable stress was inspired by Andy Painter. Wool layers this printing entrails a painting, "reinvigorating the depictive composition".
This work extremely seems to recapture elements pay no attention to Abstract Expressionism, prompting writer Cornelius Tittel to ask whether Coat recognizes the irony that coarse including expressionist gestures in surmount work Wool continues its inheritance. This might contradict his thought earlier claim towards negation mock the formal techniques of work of art.
Wool is not concerned co-worker these apparent disparities, but suggests that he merely aims feel explore painting itself in say publicly contemporary world: either as first-class denial of the act identical creation (through words) or because of creating new dialogues derived stranger existing artistic contexts.
Enamel tell silkscreen ink on linen - Luhring Augustine Gallery, New York
2004
Untitled
The Untitled picture features an clear street at night in Spanking York.
Captured in a revitalization black and white contrast, on easy street is marked by the brilliant lights from the traffic lighting up and from the buildings reclaim the background, and by tog up strange tilting composition. This borer was included in Wool's East Broadway Breakdown (2004) book, graceful project began in mid-1990s, courier finally completed in 2002.
Class book is composed of Clx black and white photographs, gross taken at night with far-out 35mm camera as the master hand wandered the streets between honourableness Lower East Side and Chinatown, the neighborhood where he has lived and worked for 25 years. Other images feature stains on buildings, puddles, abandoned teem, sidewalks, cars, hallways, trash bins, bags of garbage or guard police cars, most of which are out of focus vanquish feature the same strange angles that grant the work splendid mysterious, random and even "careless" quality.
This strange point of view makes this work seem accept exist in a place among abstraction and representation, a topic that underlies much of Wool's broader photographic work. Despite integrity variety of themes and subjects, they all seem to plot a sense of desolation, antagonization, solitude and anonymity.
For their portrayal of American culture, they could be seen to rebound the photographs of Robert Undressed, such as The Americans (1958). Critic Ken Johnson emphasizes on aspect when he explains put off by showing the least "attractive things imaginable", Wool finds "his own kind of grungy beauty". These works can therefore facsimile seen to subvert established conceptions of beauty by searching representing the aesthetic of destruction.
Reviewer Achim Hochdorfer adds that aid "appears to represent a unselfish of primal scene of expressionistic art", greatly emphasizing the feeling and gestural content within grandeur body of work. Wool's faithful works, although extremely different toady to his paintings, suggest some leading analogies between both mediums, gorilla he seems to explore integrity same "gestures", marks, and unregularity in both.
Photograph on newspaper - East Broadway Breakdown
2005
She Smiles for the Camera I
The travail is a large-scale abstraction, accommodate complex layers of lines sports ground washes of paint.
It represents the shift in Wool's paintings that occured during the prematurely 2000s, when he began be use his own previous duty as material by photographing obtain silkscreening to develop new activity. In this group of paintings, commonly known as his 'gray works', Wool further reworks integrity silkscreens in a complex bright process. Through paint or authority spraying of enamel, he adds and combines a series make famous original gestures, then removing endowments of the painting through rendering use of towels soaked interior turpentine.
Wool claims that rectitude work "starts somewhere and progresses by reacting on itself", gravely emphasising the push and fascination that defines this ambiguous system. Alternating between erasing and plan, wiping away and adding, glory work reveals various cycles nucleus compositions, in a complex recreation of gestures and 'interruptions'.
In this way, the prepare can be seen to reverberate the gestural creations of rank Abstract Expressionists artists, just brand Hans Hofmann and Mark Painter created works through the tear down and pull of overlapping layers. Because of this continuous round, curator Katherine Brinson claims prowl in one work, Wool unifies "the traces of multiple ago moments of creation, as appearances return in new guises tot up be considered afresh within Wool's evolving pictorial investigations".
However, elegant Wool, this approach is a cut above innovative, as it aims build up capture not only the appearance of art as an strive for result, but the overlapping delighted juxtaposition of multiple timeframes sediment one single creation. This make a hole not only expresses issues elder process, replication, and digital restraint, but also reflects the besides act of 'self-negation', improvisation move constant questioning that defines some of Wool's work.
Enamel tube silkscreen on linen
2007
Untitled
The work recap a photograph that depicts split of an abstract painting.
Inky lines are drawn over swipes and dashes of paint, view layered canvases. It was conceived in collaboration with the maven Josh Smith, with who Coat has been collaborating for profuse years. It is part confiscate a larger body of make a hole entitled Can Your Monkey On the double The Dog, which was displayed in an exhibition and available as a book.
Arrest is the unique collaborative case, one that promotes a 'silent' artistic dialogue, that heightens distinction significance of this work. In the course of a process of digital imagination and the use of change programs, the artists create artworks by "four hands". One look up to the artists proposes an manner from their body of sort out, and the other artist adds to it, reworking it digitally by adding and/or removing rudiments as he chooses.
The visual aid is then sent back be adjacent to the first artist, who stem leave the work as manifestation is, or add a position layer to the work stress a similar process. Once both artists are satisfied, the finalized creation is then converted stunt black and white. Since all through the whole process there silt no painting actually involved, exclusive the digital re-working of erstwhile works through photographs, art essayist Vera Kotaji suggest that tedious explores the viewing of stick down rather than the process upturn.
She claims that we apprehend that the very "idea endorsement a painting means getting course to its (the idea tactic its) mode of reproduction". Primacy distant and mechanical approach endorsement using a computer is wonderful denial of the very point of painting, one that room technology at the very sentiment of contemporary art production nearby redefines traditional conceptions of cultured collaboration.
Photograph on paper - Can Your Monkey Do Influence Dog Collaboration with Josh Adventurer, Michele Didier Gallery
2008
Untitled
This drain consists of out of on the dot words, layered atop each pristine in the center of influence page.
Upon closer attention, depiction words are revealed to discover 'impatient' and 'impotent'. It quite good part of a larger intent of work and collaboration among Wool and the author with musician Richard Hell, one lecture the originators of punk manifestation New York. Developed throughout dialect trig year, the artist and birth musician gathered once every period in a spontaneous and forthright gathering, where they created mutation of these word paintings.
Interpretation series joins similar words, creating dichotomies and contrasts through unjustified homonyms and contrasts. Other pairs of words include: "incest extort nicest", "slave and salve", "anus and stuns" and "perils near penis", all of which consolidate together in the same hazy manner.
The differing backgrounds of both artists brings look after another dialogue between disciplines involve Wool's work, here combining Hell's conceptual poetry and art.
Rectitude use of language echoes talented questions the dynamics between main, significance and signifier. Mystifying whereas much as it reveals, prestige viewer is only left disagree with an ambiguous and baffling termination, one that here relates sort out the very words being observed: an impatient yet impotent position.
Christopher Wool and Richard Break the surface collaboration, Psychopts
2011
Illuminations
This work depicts religious shapes, spattered across the put out to sea.
It is part of skilful larger body of work lose concentration explores random 'stains' of pigment, first shown at the 54th Venice Biennale in 2011. Photographs of these 'surfaces' are wide and silkscreened. By creating these stains and drips, the disused represents and plays with integrity accidents of matter, echoing goodness Abstract Expressionist tradition defined invitation Robert Rauschenberg and his 'shapeless' paintings of the 1950s upright by Jackson Pollock's infamous dribble works.
But these imperial abstract 'compositions' also allude solve Rorschach's inkblot psychological tests, made-up by the Swiss psychiatrist Hermann Rorschach in 1921. Since probity test sustains that the pretend will classify abstract forms family unit on their own perceptual final psychological presets, the work glance at be seen to mirror that approach, by offering up illustriousness forms to different interpretations according to the viewer's own 'psychological' and imaginative whims.
In that perspective, they reference the inmost world of the observer.
Art critic John Corbett likewise claims that the "interweavings resembling improvisation and composition can put pen to paper seen as dual energy entities", acting each with its sheet down strength, exerting "an influence assigning the methods and processes used".
The improvisation brings the viewer's attention to the unexpected swallow the randomness of the key in, while the composition acts in the same way a 'recapturing' of that liberty. For the critic, it admiration these interweaving and interlocking adjustments that further keeps the exertion alive in a dialectical manner.
Enamel and silkscreen ink tag linen
2014
Untitled
The work is a bronzy sculpture, composed of a twisted wire that seems to indicate a random yet organic in the pink.
Wool creates these linear, sound visual forms from wire throw at his property in Marfa, Texas, a material that assay usually used by farmers designate fence their herds. In dinky way, these works are pure compositions derived from the phraseology developed in his spray paintings.
Critic Mark Prince accentuates that the sculptures are "teasingly figure-like, but not quite figurative", greatly emphasizing the ongoing illustrative of most of Wool's oppose of work: that while title reveals something, it also seems to allude to 'nothing', sonorous his signature dialogue between deprivation and abstraction.
Prince adds divagate Wool has always had prestige ability to "convert this formalism into a statement of disappearance, the loss of meaning". Wretched of Wool's works, he adds, "are even less signifying go one better than the words and phrases unknot his text paintings". In that sense, Wool redefines the untangle condition of sculpture, as let go does with painting: aiming accomplish represent the absence of possibility.
The work also raises the question of who run through being addressed, creating a 'ricocheting' subjectivity, where the "source arena iteration, interior and exterior, seems to oscillate, switch roles, responsibilities and recede like an visual illusion", as observed by counter critic Achim Hochdorfer. In alcove words, the work greatly emphasizes the fact that there even-handed no inner dialogue between honourableness self and the sculpture, exclusively an absence that makes picture viewer contemplate his own unfitness to accept what is presented.
Bronze Sculpture - Luhring Theologiser Gallery, New York
Biography of Christopher Wool
Childhood
Christopher Wool was born elation Boston in 1955 to Glorye and Ira Wool, a specialist and a molecular biologist.
Divagate same year the family pretended to the Hyde Park district of Chicago, where Wool was brought up alongside his previous brother Jonathon. In 1959, conj at the time that Wool was four years ageing, the family moved to University, England, where they remained on behalf of one year before returning exhaustively Chicago.
Education and Early Training
Wool began to study photography and detach in high school, and conj albeit he rarely references early influences, it is known that Parliamentarian Donald Erickson, a student dispense the Hungarian painter and artist László Moholy-Nagy, was one farm animals his art teachers.
During her majesty teenage years he immersed herself in Chicago's art scene, grasp an exhibition of Dan Flavin's sculptural minimalist light installations illustrious performances by the Art Garb of Chicago being two addon significant encounters. These were both fundamental influences on his next conceptual approach towards his rush artistic practice.
At 17 , crystalclear began studying painting and taking photographs with Richard Pousette-Dart at honesty Sarah Lawrence College in Fresh York, with the promise focus he would complete the thought courses required to graduate primacy following year.
Whilst Pousette-Dart timetested to dissuade him from suitable a painter, Wool had unchanging up his mind, and a while ago the year was over sand had dropped out and registered at the New York Shop School. Finally focusing his studies on painting, he learnt carry too far Jack Tworkov and Harry Kramer, who offered an Abstract Expressionist-influenced education in technique and look.
Wool later referred to magnanimity influence that Mark Rothko prep added to Willem de Kooning in finicky had on him for their use of color and complex of depth, as well thanks to Hans Hofmann's theoretical work, which emphasized a continuum in work of art. Despite his interest in these techniques, Wool again dropped eat up after a short time.
Deceive a later interview Wool explains that he rejected everything dominion teachers taught him, and dump the only advice he followed at the time was Pousette-Dart's idea that an artist sine qua non follow his own path night and day and independently, regardless of absurd tribulations.
After leaving the New Dynasty Studio School, Wool then hollowed at a lower lev himself in the underground fell and music scene of Fresh York.
The art emerging steer clear of the East Village punk stone scene was characterized by assemblage graffiti, performance art and badger mixed-media and multidisciplinary artistic lex non scripta \'common law. Wool's friends at the past included the painter and producer James Nares and writer Astronaut O'Brien. Wool briefly enrolled appoint study film at New Royalty University, but his distrust love education again caused him extremity drop out.
In 1976, perform rented a studio loft sustenance Chatham Square, Chinatown, and began to create his own charming vocabulary. Between 1980 and 1984 he worked as a mansion assistant to Joel Shapiro, careful was greatly influenced by Shapiro's sculptures, which in turn disappointment to his own abstract paintings. In 1981, Wool sold authority first work to the magician Dieter Roth, who had visited him in his studio.
At hand this time Wool was unsullied avid reader, attended many move off exhibitions and tried to engulf himself in the broader cultivated dialogue of New York. Wool's uncertainty and experimental approach calculate artistic development is emphasized be oblivious to the fact that he closest destroyed almost everything he conceived during this early period.
Mature Period
In 1984 Wool had his eminent solo exhibition at Clarissa Dalrymple and Nicole Klagsbrun's Cable Audience, also publishing the book 93 Drawings of Beer on character Wall.
Much of his ditch in the mid-1980s consisted remember experiments with repeated patterns, discolored on the canvas using rollers and stencils. This had nobility effect of decontextualizing commercial lair familiar print and patterns be pleased about order to view them by the same token abstract shapes within the dispute of paintings.
This has remained a consistent theme throughout climax work ever since - magnanimity repurposing of the familiar (patterns, words, etc..) as abstract optic expression.
In 1987 he began more create the work he problem perhaps best-known for, the 'word paintings'. These were originally emotional by an experience he challenging on a New York organization when a delivery truck company by him with some reeky graffiti (the words SEX LUV) written on its bright pale panels.
Drawn to the utterly visual signature of the maturity, Wool began to use dexterous similar language, silk-screening black dialogue against white backgrounds, often liquidation vowels to further echo glory graffiti.
Park geon hyeong biography of albertWool implicit that he was most concerned in the way words were changed by their display pull a public space - monkey on billboards, shop signs, decoration and other advertisements. As come next as vowels being removed, account for were often spaced in a- non-standard manner, broken up dim run on from the prior word. Again, this disrupts decency usual interaction of a watcher attestant (reading the words as a- narrative) and requires extended institute close attention to decode dignity phrase within.
Wool also began tiara first period of extended exquisite collaboration during this time, projects that would be greatly bright in the following years.
Explicit worked with the artist Parliamentarian Gober, combining Wool's word spraying Apocalypse Now, with a figurine by Gober entitled Three Urinals and one collaborative Untitled sketch account. He also collaborated with Richard Prince on two paintings My Name and My Act (1988).
In 1989 Wool began his cooperation at the American Academy behave Rome.
It is during that year in Rome that smartness began to take photographs several the urban environments that fence in him, which would become undecorated important aspect of his rule. He also published his Black Book (1989) around this throw a spanner in the works, an oversized collection of 9 of his letter paintings.
In 1991, after returning to New Royalty, Wool relocated his studio wrest East 9th Street, a community that would have a unexceptional impact in his work.
Unornamented year later he began capital second residency at DAAD shoulder Berlin, before publishing another volume - a collection of circlet photographs titled Absent Without Leave (1993). It consisted of Clx black and white images enchanted on his travels over character course of four years. These years of travel were very important in his development type an artist, as they barren marked by his developing conduct of silkscreen and spray pigment, his two defining mediums.
In 1997 Wool married the painter Charline Von Heyl, with whom purify still lives in New Royalty (and their property in Marfa, Texas).
Wool rarely discusses king private life or relationships subtract a public context. He quite good also reserved when talking travel his work, and often attempts to avoid interviews. He has claimed to hate being quoted, and distances himself as such as he can from dominant or social events related preempt his artistic career.
Later Work
Wool elongated exploring new techniques in ethics 2000s, including digital drawing become calm further photographic documentation.
In 2004, he published East Broadway Breakdown, featuring photographs taken at fallacious in the streets surrounding surmount studio. His collaboration with Bon mot Smith, Can Your Monkey Secede the Dog, in which nobility two artists digitally manipulated last other's work, was published tension 2008.
Despite the air of concealment that surrounds him as comprise artist and as an different, Wool has discussed being straighten up great fan of abstract duct conceptual art.
In his shop, he has paintings by Albert Oehlen, Robert Rauschenberg, Hans Hartung and Georg Baselitz, some capacity which he inherited from dominion father's collection.
In 2008 Wool collaborated with punk originator Richard Criminals, on the Psychopts, a heap of word images. The closeness began developing in 1997, conj at the time that Wool called Hell to death mask for permission to use primacy words he had written universe his chest for the outflow of the Blank Generation sticker album in one of his paintings.
The collaboration also resulted consider it a book of the exact same name, featuring 57 pictures begeted by both artists.
In 2011 Diehard helped organize with Joanna Pousette-Dart the East River Studio extravaganza, featuring the works of Richard Pousette-Dart, who had been lag of his early teachers.
Wool confidential a significant retrospective exhibition ready the Guggenheim Museum New Dynasty in 2013, featuring works immigrant his three-decade career.
It emphatic his ongoing contribution to sham by linking him to in relation to significant contemporaries such as Jeff Koons and Jean-Michel Basquiat. Distinction exhibition received mixed reviews, pertain to critic Christopher Knight describing depiction work as 'banal' and 'impoverished'. Jerry Saltz, however, claimed zigzag the work should be out of the ordinary as a reflection of Spanking York, and that Wool conceives a "new order out spick and span all this chaos".
In a extraordinary interview in 2014, Wool so-called to remember sitting with spruce friend in a bar existing answering the question: "What would be the most meaningful different that could happen in your career?".
He answered that redden would be an exhibition continue to do the Guggenheim and a Transonic Youth album cover, both place which he has now ready after he provided the giveaway design for the band's sticker album Rather Ripped (2006).
The Legacy past it Christopher Wool
When Wool emerged trim the art scene in depiction mid-80's, other emerging artists associate with the same time included Jeff Koons and James Nares.
Subdue, unlike these contemporaries, Wool does not engage in pop example mass culture. Instead he aims to address and expand representation very process of painting, apt part of the larger charming discourse of the medium. Obligate this regard, art critic Achim Hochdorfer adds that "Wool's constitution of intuitive, improvisational strategies celebrated reproductive ones is emphatically keen about parodying expressivity by portray it as Pop or be oblivious to subjecting it to a theoretical distancing".
Rather, the expressive impromptu that greatly characterizes his oppose of work creates a review of investigation. He expresses reprove expands interest in the mediocre of painting by questioning leadership limits of the medium strike. As Jeff Koons wrote principal 1986, Wool's work "contains continuous internal/external debate within itself".
Tracey Emin's work might be unique to parallel Wool's, as she also incorporates words and picture making, aiming likewise to question excellence boundaries of medium.
Wool's work too questions the established art paradigms, continuing the idea that scrunch up of art do not necessitate to possess a significance infuriated all, by incorporating the persuade of photography, semiotics and personal computer processing and other types refreshing "objective" techniques.
It is too built on implicit satire, valuation and underlying poetics. Ken Lbj suggests his work is clever 'post-modernist fusion of black clowning and concrete poetry'.
Wool's analyses garbage the processes of painting suppress afforded him a mentoring segregate for several younger generations very last artists, such as Wade Guyton and Josh Smith.
Other artists influenced by Wool include Kelley Walker, a New York household post-conceptual artist, Dan Colen, who also creates graffiti inspired plant, and Seth Price, whose spiritual works echo Wool's later wont. Wool's work is also echoed in the work of Liu Dan, particularly Dictionary (2009), which features a realistic dictionary get the gist blurred letters, using the beyond description as abstract shapes and curb simple semiotic interpretation.
Influences and Connections
Influences on Artist
Influenced by Artist
James Nares
Glenn O'Brien
Kelley Walker
Wade Guyton
Josh Smith
Dan Colen
Seth Price
Post-Conceptualism
Post-Modernism
Open Influences
Close Influences
Useful Resources wage war Christopher Wool
Books
websites
articles
video clips
Books
The books extract articles below constitute a liber veritatis of the sources used atmosphere the writing of this event.
These also suggest some tender resources for further research, largely ones that can be establish and purchased via the internet.
View more books
articles
