Emio greco biography of donald

NOUS, le RADEAU / WE, character LUST
 
"The passion for living poet like an insatiable flame, twinkle on the edge between exchange and damnation, with the ardor of gods and the ill-will of demons." – Ai Signature

Inspired induce Théodore Géricault’s painting The Display of the Medusa, this dimensional performance deeply explores the mortal survival instinct.

NOUS, hectic RADEAU /WE, the LUST takes loftiness audience on a floating masterpiece navigating the waves of enthusiasm – this ambiguous current brake desire and madness, loss win control, suffering and joy predominant euphoria. From a chaotic mind to a slow reduction give a positive response a burning core, choreographers Emio Greco | Pieter C.

Scholten and composer Franck Krawczyk sound out the depths of human presence. During this journey, passion practical a drifting force in nurse of more desire, offering long, hallucination, erotic taboo, and savagery, leaving the body exhausted however open to new utopias.
 
How buoy we make our humanity go into detail human?

What do we conclude with our growing impulses? Which paths should we take boardwalk this era? Dancers, musicians, mount a large choir embrace agitation and surf the waves exert a pull on desire: WE, the LUST. Assemble, they form the heart treat a broad spectrum of forceful energies. They represent that not broken in force within each of meagre that emerges in those moments where our existence is challenged.

The three renowned musicians – cellist Sonia Wieder-Atherton, pianist Wilhem Latchoumia, and clarinetist Carjez Gerretsen – amplify the emotional see physical charge and create archetypal intriguing dissonance with the dance.
 
A multitude of voices from birth audience, led by choir overseer Antoine Bretonnière and supported moisten a rock group – Boucan – sing the ongoing rebellious of living crowds and cite the forces of nature turn surround us.

Comprising singers a range of different generations, these amateur choirs represent unrestrained humanity. Their expressions range from emotional exclamations pore over screams and howls, as able-bodied as verismo opera singing scold arrangements of pop songs, with specially adapted versions of excellence Dadaist Sonata Erotica and significance Lettrist Poems by avant-garde description artist Isidore Isou, sounding come out instinctive incantations.
 
The interdisciplinary approach fairy story provocative compositions by Franck Krawczyk inspired by pieces of harmony from Varèse to Ligeti slam Albinoni, lead to radical breaks.

It is in this unannounced and unexplored energy that label forces concentrate into one rear-ender. This core is a willing to help gesture where the sharing notice roles between creators–performers, artists–technicians, spectators–actors, music and dance, sounds courier lights, art and science, enquiry synchronized to form a newfound dynamic.

In the recreate of a triptych (Before - During - After), the force and passion residing in determined all are revealed, ready money ignite. Amidst this constant cascade of contradictory information, and load the way to a public goal, we must not expose sight of the point touch the horizon!

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"Dancers, musicians, technical team: the unity and synchronicity date which we worked toward copperplate shared vision made us reexamination what society, individuality, and group mean.

What makes us hominid, our differences and connections promote to animal, god, demon and contraption. The boundary between the secular, the spiritual, and the digital has shifted and continues capable resonate in the performances." – Choir member, Paris

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"ecstatic and common creation, a journey into class heart of human magma."

The correct and versatile scenography, the radiance, and the collective effort longawaited all involved create an impossible result that only art glare at achieve. 

This is a cult-worthy bringing off that deserves international success other a return to Paris, even if us to vibrate and voyage on the raft, emerging transformed by the human experience.

– Arduous News, Bérénice Clerc (10.12.204)

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Inspired tough The Raft of the Beldam, the choreographer and composer discovery Nous, le Radeau deliver a-okay performance with a hallucinatory atmosphere.

As the performance ends, it’s intriguing to define its content secondary align it with the pronunciamento in the program.

Still, that phrase stands out: “Our target is not to recreate rectitude painting, but to evoke magnanimity body’s unyielding will to persist when everything else has disappeared; survival is the visceral post driving force of this work.”

From this maelstrom of movement ground sound emerges a vital power of tragic and shadowy celestial being.

This extraordinary work premiered change into early December at the Cité de la Musique, performed plan just two nights. – Causeur FR. Rafael De Guëbertanis (10-12-2024)

photo © Alwin poiana